roberson

Mix with oil paints to improve flow and translucency. Gives a satin finish and has ideal working properties for thin glazes, fine details and smoot...

A superfine metallic powder that can be mixed with ormoline, gilt wax or other mediums to create beautifully effective metallic paints or gilt fini...

A white primer for oil paints. Flexible once dry, this primer can be used on sized canvas or wooden panels. Gives a slightly less absorbent surface...

A white primer for oil paints. Flexible once dry, this primer can be used on sized canvas or wooden panels. Gives a slightly less absorbent surface...

Ergonomically designed glass muller. Used to mill pigment with a binder to make paint. Essential for making paint with the proper consistency and d...

Ergonomically designed glass muller. Used to mill pigment with a binder to make paint. Essential for making paint with the proper consistency and d...

Poppy oil has less tendency to yellow over time than linseed oil. This makes it particularily suitable for use with whites and pale blues. It has a...

A less expensive alternative to poppy oil as an additive to oil paint. Similarly to poppy oil it has less tendency to yellow over time than linseed...

A fast drying traditional varnish. Used as a sealer for absorbent surfaces and in many print-making and metal leaf techniques.

A fast drying traditional varnish. Used as a sealer for absorbent surfaces and in many print-making and metal leaf techniques.

Cobalt Siccative, accelerates drying of oil paint. Should be added very sparingly to paint mediums. Use a pipette to control the amount of drops ad...

A thick and slightly glossy primer for oil painting. Gives a smooth finish with just one coat.

A thick and slightly glossy primer for oil painting. Gives a smooth finish with just one coat.

A thick and slightly glossy primer for oil painting. Gives a smooth finish with just one coat.

An alternative to linseed oil as an additive to oil paint. It is prized for its more slippery feel compared to linseed oil, making it suitable for ...

High-Gloss, hard and clear traditional varnish. Non-yellowing and resistant to blooming. Often used in oil painting mediums when mixed with oils an...

High-Gloss, hard and clear traditional varnish. Non-yellowing and resistant to blooming. Often used in oil painting mediums when mixed with oils an...

Low-Gloss, hard and clear traditional varnish. Non-yellowing and resistant to blooming. Often used in oil painting mediums when mixed with oils and...

Low-Gloss, hard and clear traditional varnish. Non-yellowing and resistant to blooming. Often used in oil painting mediums when mixed with oils and...

A clear, non-yellowing, non-blooming final varnish for oil paintings. Gives a deep high gloss finish. Made with Ketone resin, stand oil and white ...

A clear, non-yellowing, non-blooming final varnish for oil paintings. Gives a deep high gloss finish. Made with Ketone resin, stand oil and white s...

A clear, non-yellowing, non-blooming final varnish for oil paintings. Gives a deep high gloss finish. Made with Ketone resin, stand oil and white s...

A clear and tough matt varnish for oil paintings. Made with ketone resin and microcrystalline wax.

A clear and tough matt varnish for oil paintings. Made with ketone resin and microcrystalline wax.